In the first half of the movie, the combination of super-eight images and the vivid hand-held not only drives the downfall of Berlin, but also surprises the romantic scenes with randomness. Randomness evokes momentum in the shaky, looming shots of the moment before destruction, as well as foreshadowing the deaths of two men—a drowning warning in the newspaper, and Labod, who is targeted by Cornelia in the target scene. , as if the gun would go off the rails in the next second.
When "Farewell, Berlin" turns to job email list the second half, the lens gradually stabilizes and the frame is pulled away. The original floating image style seems to have exhausted half of the energy, revealing the desolateness of Berlin's actual app